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![]() ![]() ![]() Javier Rodriquez’s classical style is supplemented with some soft colors that bring forth the timelessness of the Avengers (complete with a really well-designed action page). Perhaps it has to do with the clear color distinction between the Goblin and Hobgoblin, but it works and is as exciting as ever. Ramos often has trouble depicting large scale action sequences with clarity, but in this issue he gets it right by making it chaotic but easy to follow. Humberto Ramos utilizes his exaggerated style for the over-the-top match between the Goblins, who sneer and laugh in the most twisted of ways. Each story is partnered with an artist whose style perfectly matches the subject matter. ![]() Here that is simply not true.ĭan Slott presents readers with three storylines that follow the feud between the Goblins, Otto Octavius’s confrontation with the Avengers, and Peter Parker’s journey through his devastated Mindscape. When a feat like this is normally attempted it ends up as a convoluted mess that seems to reveal that schedules were crunched and pennies were pinched to produce an effort with mixed results. Superior Spider-Man #26 is a nearly perfect execution of how to handle multiple storylines and multiple artists in one single issue. ![]()
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